Press
Published 26/11/2024
The press talks about it
"Conducted by Joël Suhubiette, the soloists, choir, and instruments with the performance of this extremely refined chamber opera, made all the expertise of the repertoires, the sensitive approach, and the sense of colors of this ensemble, which is celebrating fifty years of existence this year, shine"
Philippe Haller, La Nouvelle République
"From center stage, Joël Suhubiette's direction is firm and benevolent, attentive to the comfort of the singers as well as to the shimmer of an orchestra that exudes great French taste with remarkable naturalness. [...] In the ensembles, the dozen singers brought together on stage by Joël Suhubiette form a homogeneous and supportive choir, with a consistent richness of timbre."
Nicolas Le Clerre, Première Loge
"Le concert qui a inauguré la huitième édition des Concerts d'Automne n'avait qu'un seul défaut : il durait trop peu et représentait au contraire ces rares occasions de musique dont on souhaiterait qu'elles ne finissent jamais"
Alessandro Cammarano, Le Salon Musical
"The concert that inaugurated the eighth edition of Concerts d'Automne had only one flaw: it lasted too short and represented one of those rare musical moments one wishes would never end."
Renaud Machart – Le Monde
"Adorned with a meticulously cared-for continuo, colored by a concert of timbres with enchanting golden hues, never missing a moment of the lively interplay in stile concertato, this precious musical offering culminates in the praise of a long Magnificat, tenderly explored, signing an album where, beyond the vocal brilliance, emotion is never absent. Through this high point of the Liturgy of the Hours, when the decline of the day is countered by the celebration of divine wonders, it is the full spectacle of the piety of the papal city at its Baroque peak that shines in this warm, inspired, fervent, and communicative interpretation."
Christophe Steyne, Crescendo Magazine